-
Archives
- October 2018
- January 2017
- June 2016
- October 2015
- September 2015
- October 2014
- July 2014
- May 2014
- March 2014
- January 2014
- November 2013
- October 2013
- July 2013
- November 2012
- October 2012
- September 2012
- August 2012
- July 2012
- June 2012
- May 2012
- April 2012
- March 2012
- February 2012
- January 2012
- December 2011
- November 2011
- October 2011
- September 2011
- August 2011
- July 2011
- June 2011
- May 2011
- April 2011
- March 2011
- February 2011
- January 2011
- December 2010
- November 2010
- October 2010
- September 2010
- August 2010
-
Meta
Monthly Archives: January 2017
Joining Celluloid: The Art of Film Editing
FILM IS THRIVING….BUT WHAT ABOUT FILM SPLICING With the recent critical releases of La La Land, Denzel Washington’s adaptation of August Wilson’s Fences, and Hidden Figures, audiences are witnessing the beauty of film at the cinema. Add in Kodak’s new Super 8 Camera (image below) and the return … Continue reading
Posted in Film, film studies, Filmmaking, James River Film Society, Uncategorized
Tagged 16mm, 16mm Editing, Christopher Nolan, Cinema and Screen Studies, D.W. Griffith, Daniel Blake, Dunkirk, Dziga Vertov, Film, Film Splicer, Getty Museum, Guardian, Hidden Figures, I, IMAX 70mm, Jacob Dodd, Jimmy's Hall, Ken Loach, Kino Eye, Kodak Motion Picture Film, La La Land, Loving, Michael Kahn, Montage, Moviola, Panavision 70mm, Pixar, Quentin Tarantino, Sergei Eisenstein, Splicing, Steven Spielberg, SUNY Oswego, Super 8mm Camera, Tacita Dean, Tate Modern Museum, The Hateful Eight, Thelma Schoonmaker
1 Comment