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Tag Archives: Quentin Tarantino
Five Film Favorites: Films about Films
French philosopher Jacques Derrida became famous (by philosophy and academic standards) for discussing the theory of deconstruction. While I know that my rather curt and probably inaccurate explanation of Derridian deconstructionism will court harsh critiques from colleagues (current and former) and professors, … Continue reading
Posted in Essays, Film, Lists
Tagged Charlie Kaufman, Chris Cooper, David Cronenberg, Debbie Harry, deconstructionism, Ed Wood, Five Film Favorites, Inglourious Basterds, Jacques Derrida, Johnny Depp, King Kong, Meryl Streep, Nicolas Cage, Peter Jackson, Quentin Tarantino, Spike Jonze, Tim Burton, Videodrome
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Impossibly Cool
Once upon a time, film critics ruled the cinematic universe. In the late 60s and early 70s, luminaries such as Pauline Kael and Andrew Sarris could write long and lengthy pieces, praising or damning movies, wrecking careers or hauling some … Continue reading
Posted in Events, Film, James River Film Society, Reviews
Tagged Two-Lane Blacktop, Quentin Tarantino, Mike White, Cashiers du Cinemart, Impossibly Funky, Pauline Kael, Andrew Sarris, Bonnie and Clyde, Cahiers du Cinéma, Cockfighter, Monte Hellman, Who Do You Think You're Fooling?, Chop Suey Books, Gallery 5, Reservoir Dogs, City on Fire, Ringo Lam, Film Threat, Chris Gore, Charles Goodis, Guy Maddin, James Ellroy, Keith Gordon, Bruce Campbell, Christine, Chocolate War, A Midnight Clear, Mother Night, Jim Rugg, Skizz Cyzyk, Mike Thompson, Black Shampoo, Star Wars, James River Film Society
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What to Watch When You’re Watching At Home: The Friends of Eddie Coyle
Weary. That’s how I would describe Robert Mitchum. Even when he was a maniacal beast, as in Night of the Hunter or Cape Fear, he appeared to be carrying the weight of the world on those massive shoulders of his. … Continue reading
Visualizing the Ethics of Violence in Sam Peckinpah’s “The Wild Bunch”
My previous post concerning Quentin Tarantino, Inglourious Basterds, violence, and the Italian Western generated an excellent discussion that revolved around what film, or a film, should or should not do with regard to a larger ethical responsibility. As I noted … Continue reading
Posted in Essays, Film
Tagged Ernest Borgnine, Inglorious Basterds, Quentin Tarantino, Sam Peckinpah, Warren Oates, Wild Bunch, William Holden
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Violent Style without Ethical Substance: “Inglourious Basterds” and the Italian Western
In F.T. Rea’s post of favorite Westerns, Rea cleverly and accurately assigned each film with a word: High Noon is about honor. Lonely Are the Brave is about freedom. Stagecoach is about survival. Treasure of the Sierra Madre is about … Continue reading
Posted in Essays, Film, Reviews
Tagged Aldo Raine, Brad Pitt, Christoph Waltz, Clint Eastwood, Col. Hans Landa, Eli Wallach, Ennio Morricone, Five Film Favorites, Good the Bad and the Ugly, Heath Ledger, High Noon, Inglorious Basterds, Italian Westerns, John Ford, Joker, Kill Bill Vol. 2, Lee Van Cleef, Lonely Are the Brave, Quentin Tarantino, Revenge of a Gunfighter, Searchers, Sergio Leone, Stagecoach, Treasure of the Sierra Madre, Unforgiven
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When the Man Comes Around
Machete is one mean bastard. A former member of Mexico’s elite Federales, he’s handy with gun, with boot, with fist and forearm, and, of course, with the giant knife from which he’s taken his name. I might add that it … Continue reading