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Tag Archives: Arri 16 S
The Revelation of Ultra 16mm
Introduction 16mm has gone through many wonderful changes over the years. It was originally created in 1923 by Kodak as an amateur format, but today it holds its own as a professional gauge right along side 35mm and 65mm. No longer restrained to industrial, … Continue reading
Posted in Essays, Film, film studies, Filmmaking, James River Film Society, Local
Tagged 16mm, AlphaCine, Arri 16 S, Beaulieu, Bernie O'Doherty, Black Swan, Bolex, Canon Scoopic, Cinelab, Cinelicious, CP-16, Eclair ACL, Eclair NPR, Film, Fotokem, Gate, Kinor, Kodak, Konvas, Krasnagorsk K3, Lawrence of Arabia, Lenses, Photography and Film, rune ericson, Super 16 Inc., super 16mm, The Hurt Locker, The National Parks: America's Best Idea, Touch of Evil, ultra 16mm, Vision 3
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Ann Henderson
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